Further reading: Judith Brown, Gandhi and Civil Disobe-
dience, 1928–1934 (Cambridge: Cambridge University
Press, 1977); Mohandas K. Gandhi, An Autobiography:
The Story of My Experiments with Truth (Boston: Beacon
Press, 1957); Barbara D. Metcalf and Thomas R. Met-
calf, A Concise History of India (Cambridge: Cambridge
University Press, 2002); Rudrangshu Mukherjee, ed.,
The Penguin Gandhi Reader (New York: Penguin Books,
1993).
garden
(Arabic:
bustan or janna; Persian:
bagh)
Gardens have played a central role in Islamdom as
locations of revenue production, display, scientific
exploration, entertainment, and relaxation. Medi-
eval poetry from throughout Islamdom, inscrip-
tions on garden pavilions and palaces, medieval
botanical manuals, and travel literature all attest
to the central role of the garden in public and
private
architectUre
.
calligraphy
adorning religious architecture
within or adjacent to gardens indicates that
patrons consider these spaces as earthly repre-
sentations of the heavenly
paradise
. Both the
q
Uran
and
hadith
literature contain numerous
descriptions of paradise as a tree-filled, pleasantly
perfumed, and peaceful place in which the righ-
teous and pure followers of Islam will dwell after
J
Udgment
d
ay
. One of the most often-repeated
Quranic phrases about paradise mentions gardens
of eternity beneath which four rivers flow (Q
4:57; 5:85; 9:72; 18:31). The inhabitants of para-
dise (also referred to as Eden and al-Firdaus) will
live in complete comfort with their loved ones in
palaces built of silver and gold. These descriptions
of paradise in the Quran and hadith are often
paired with descriptions of hell (the F
ire
).
Paradisal garden in Chefchaouen, Morocco
(Federico R.
Campo)
K 256
garden
While the iconography of 17th-century gardens
such as the Taj Mahal complex in India certainly
suggests paradise, it is difficult to make the same
argument for all gardens in Islamicate realms.
Archaeological studies of garden remains and medi-
eval Arabic and Persian literature suggest that
gardens served many roles, especially within the
imperial palatial complexes of the Islamic empires.
Ninth-century palace gardens of Samarra and b
agh
-
dad
, for example, were showplaces of hydraulic
engineering. Hidden waterworks caused mechani-
cal birds to whistle and sing from tree branches in
one such garden, dazzling foreign ambassadors. The
10th- and 11th-century gardens of Andalusian Spain
contained experiments in irrigation and botanical
science. The 15th-century Topkapi Palace gardens
in i
stanbUl
provided revenue for the
sUltan
, and
large parks housed exotic animals from throughout
the realm for hunting and display.
The most ubiquitous and well-known garden
form is the chahar-bagh (four-part garden), a
garden crossed by water channels separating tree
or flower beds within which is placed a centrally
positioned pavilion. This form was probably
influenced by pre-Islamic Roman and Sasanian
gardens. Gardens also exist in a linear format and
as larger unstructured parklands.
While descriptive studies abound on gardens
in Islamic history, more analytical work on con-
textual meanings associated with these gardens
needs to be carried out. Similarly, contemporary
garden design deserves further attention. Private
gardens abound in inward-facing urban residen-
tial areas, and green spaces have become essential
elements of land use and landscape design in
expanding urban centers such as c
airo
, Istanbul,
and Riyadh.
See also
aFterliFe
;
agricUltUre
; a
ndalUsia
;
cities
.
Margaret Leeming
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