Education of the republic of uzbekistan state world language university english language faculty



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THE MINISTRY OF HIGHER AND SECONDARY SPECIAL

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Introduction

In modern world, there are more than five million languages. It is natural to have one more languages than official one. Uzbekistan is a multinational country with the Uzbek language as the only official state language. After the independence of the Republic of Uzbekistan was declared in 1991, the roles of languages used in the country started to change, shifting in dominance and significance in all spheres of Uzbek people’s life. Not only Uzbek language, but also international languages began to develop. The Uzbek language acquired its position as the only official state language. However, after the announcement of independence, the importance of the English language has been increasing in all aspects of Uzbek people’s life.  English been continuously increasing in importance and acquiring the status of the most preferred foreign language to be learned. The spread of English in Uzbekistan greatly differs from other languages back at the beginning of 20th century, being marked mostly as a desirable rather than suppressive process. Uzbek people realize that English is significant in all regards, when it comes to pursuing international education attending a good career keeping up with the rapid pace of world changes.

We highly favour the English language, seeing it as the key to successful and prosperous life. The main factors for the phenomenon of the great role and impact of English include expanding communication with the world after gaining the independence and increasing exchange in the global village. The dominant position in the internet space by the language of the published content is firmly held in English, which is a strong motivation to learn English for those who wish to promote their global competence.

As it was mentioned above since the declaration of independence the importance of English language has been increasing in all aspects of Uzbek people’s life. Currently, great attention is given to the radical reorganization of educational system that will provide an opportunity to raise it to the level of modern standards. In order to realize the aims and tasks put forward be the Law of the Republic of Uzbekistan “On Education” (1997) and National Program of Personnel Training (1997) the complex system of reorganizing the structure and the content of personnel training, proceeding from perspectives of social, economic development of the society, contemporary achievements of science, culture, technique and technology are being created in the country. Besides on December 10, 2012 a decree was signed “On measures to further improve foreign language learning system”.

President of Uzbekistan Islam Karimov signed a resolution “On measures on further improving system of studying foreign language” on 10 December 2012.

The document was adopted to improve teaching foreign languages, training specialists with good language skills, introducing advanced technologies into education system, etc.

It is noted that in the framework of the Law of The Republic of Uzbekistan “On Education” and “The National program for training” in the country a comprehensive foreign languages teaching system, aimed at creating harmoniously developed, highly educated and modern thinking young generation, further integration of the country to the world community, has been created.

According to the decree foreign languages mainly English gradually throughout the country will be taught from the first year of schooling in the form of lesson-game and speaking-games, continuing to learning the alphabet, reading and spelling in the second year.

Also it is envisaged that university modules, especially in technical international areas will be offered in English and other foreign languages at higher education institutions. Since the enforcement of the decree all English language teachers have obtained a privilege of receiving a 15% (urban area) or a 30% (rural area) bonus on top of their monthly salary if they present CEFR (Common European Framework Reference) and prove this with a certificate of language proficiency at the National Testing Centre, which was assigned to design tests to check English teachers’ language proficiency.

Nevertheless, this policy has shown its positive impact on quality of educational staff and has become the main criteria of employment in the country not only in educational but in other spheres as well. This approach helped the Uzbek to understand what level must be acquired to meet the requirements of modern standards. These reforms have undoubtedly been aimed at integration with the western world and acquiring information access as well as an ability to keep up with the pace in the world.

Looking back, now it becomes clear that Uzbek government started the process of bringing the National language closer to English “to enter the world community” and communicate effectively and effortlessly on an international level, when it was decided to convert the Uzbek alphabet from Cyrillic to Latin in 1993.

In addition to these, it must be emphasized that Presidential schools, which are being opened by the initiative of our President Shavkat Mirziyoyev, will also heighten the prestige of English language in our society. Because all the subjects in these schools will be held in English. The entrance exams of Presidential schools are to be taken only by foreign specialists and experts. The graduates of these schools will inure to the integration of Uzbekistan in the world.

The Presidential decree was enacted on the Resolution of the Cabinet of Ministers of Uzbekistan, which substantiates foreign language teaching significance comprehensively. It has got points for English language and affirms following: Firstly, from the new academic year on all the applicants applying to the universities who puts in IELTS (5.5 band score) or TOEFL (IBT 72) certificates, plus the ones who has got B2 level on CEFR or FCE (Cambridge assessment English) are privileged to get the total high score in entrance examination on English as a primary subject.

One of the main steps in developing English language is foundation of The British Council. It was founded in UK 1934 and it has been in our country since 1996. Every year, they reach out to thousands of students, educators, policymakers, academics, researchers, creativity and entrepreneurs in Uzbekistan.

In particular, British Council has been actively supporting the development of textbooks in English «Kid’s English» for 1, 2, 3 and 4 – year pupils, about 600 thousand students, each of the age categories, are annually taught in the Republic.

The Council is also involved in the process of training teachers of English in primary schools. In particular, it supported the initiative of the Ministry of Public Education of the Republic of Uzbekistan to organize the competition among secondary schools’ English teachers. According to the results of competition 42 teachers were chosen for a 2 week training course in the UK.
An English course, within the project “English for tourism”, was developed by experts of the British Council for students of tourism colleges in the Republic. The course is practical, contains exercises and tasks, and simulates the work process. Currently, the course is being conducted in four colleges that train specialists in the sector.
The event also announced the arrival of Shakespeare Theatre “Globus” for the staging “Hamlet” on November 4-6 of in a current year in Tashkent. The visit is coincided with the anniversary of the British Council activity in Uzbekistan, as well as is included in the project Globe to Globe, devoted to William Shakespeare 450th anniversary. The project has been started in April 2014 and includes a two-year world tour with the staging of “Hamlet” in every country of the world.

The Ministry of Culture and Sports of Uzbekistan, Creative - Production Association “O'zbekteatr” and the British Council are the partners of the tour in our country. The performance will take place at the National Theatre of Uzbekistan.


Mark Cross, the head of the British Council in Uzbekistan, shared his assessments of the activities’ results in Uzbekistan, in an interview to IA “Jahon”.
- 20 years have passed since the beginning of my career in the British Council, as well as its activity in Uzbekistan, and I have worked in 7 countries during these years. I can confidently say that our partnership with your republic, its artistic and educational community can not be compared with anything - said M.Krossi. - During the years I have been working here, I came to the conclusion that the reason is a great and a real openness in the dialogue with us by our partners in government, education and the arts. The openness allows us to work so efficiently.

I would like to say that our cooperation in the field of higher education has been extremely successful.


Our interaction in the sphere of tourism is also on a high level. It included a revision and improvement of training programs and plans, based on the new professional standards that coincide with international. It also includes English language training for professionals in the field of tourism. We believe that it is a successful work which we would like to extend to other professional colleges in Uzbekistan; they are over 1,400 in the state.

This course book is about “To Let”, novel written by John Glasworthy. The novel of John Glasworty. In this course book, you can get full information about the author, his works and career. He was one of the writers who won Nobel Prize. He achieved his goals in Literature by creating best-sellers and it will be mentioned in the main chapters.

Next thing that is you get information about writer and his life, works. He was awarded Nobel prize in Literature in 1932. The main aim of the coursework is to determine the importance of conducting research on literary and artistic works on the example of John Galsworty’s novel To Let. I analyses of the work on the basis of detailed data, the study of the characters in terms of character.

Main chapter:



Author life and works.

John Galsworthy 14 August 1867 – 31 January 1933) was an English author and writer. Eminent works incorporate The Forsyte Saga (1906–1921) and its continuations, A Modern Comedy and End of the Chapter. He won the Nobel Prize in Literature in 1932.

Galsworthy was conceived at what is presently known as Galsworthy House (at that point called Parkhurst) on Kingston Hill in Surrey, England, the child of John and Blanche Bailey (Bartleet) Galsworthy. His family was prosperous and entrenched, with an enormous property in Kingston upon Thames that is currently the site of three schools: Marymount International School, Rokeby Preparatory School, and Holy Cross Preparatory School. He went to Harrow and New College, Oxford. He took a Second in Law (Jurisprudentia) at Oxford in 1889, at that point prepared as a lawyer and was called to the bar in 1890. In any case, he was not quick to start providing legal counsel and rather ventured out abroad to take care of the family's delivery business. During these movements he met Joseph Conrad, at that point the principal mate of a cruising transport secured in the harbor of Adelaide, Australia, and the two future authors turned out to be dear companions. In 1895 Galsworthy started an undertaking with Ada Nemesis Pearson Cooper (1864–1956), the spouse of his cousin Major Arthur Galsworthy. After her separation ten years after the fact, they were hitched on 23 September 1905 and remained together until his passing in 1933. Prior to their marriage, they frequently stayed stealthily in a farmhouse called Wingstone in the town of Manaton on Dartmoor, Devon.In 1908 Galsworthy took a long rent on part of the structure and it was their standard second home until 1923.

From the Four Winds, an assortment of short stories, was Galsworthy's initially distributed work in 1897. These and a few resulting works were distributed under the nom de plume of John Sinjohn, and it was not until The Island Pharisees (1904) that he started distributing under his own name, most likely inferable from the ongoing demise of his dad. His first full-length novel, Jocelyn, was distributed in a release of 750 under the name of John Sinjohn—he later wouldn't have it republished. His first play, The Silver Box (1906),— in which the burglary of a whore's handbag by a rich 'youngster of good family' is put next to the robbery of a silver cigarette case from the rich man's dad's home by 'a poor fallen angel', with totally different repercussions, however equity was plainly done for each situation—turned into a triumph, and he lined it up with The Man of Property (1906), the principal book of a Forsyte set of three. In spite of the fact that he kept composing the two plays and books, it was as a dramatist that he was chiefly refreshing at that point. Alongside those of different journalists of the period, for example, George Bernard Shaw, his plays tended to the class framework and other social issues, two of the most popular being Strife (1909) and The Skin Game (1920).

He is currently much better known for his books, especially The Forsyte Saga, his set of three about the eponymous family and associated lives. These books, similarly as with a large number of his different works, manage social class, and upper-white collar class lives specifically. Albeit thoughtful to his characters, he features their separate, highbrow, and greedy mentalities and their stifling good codes. He is seen as one of the primary authors of the Edwardian period who tested a portion of the goals of society portrayed in the previous writing of Victorian England. The delineation of a lady in a troubled marriage outfits another repetitive subject in his work. The character of Irene in The Forsyte Saga is drawn from Ada Pearson, however her past marriage was not as hopeless as that of the character.

The Forsyte Saga consists of five books. You can get clear information abot them below:

This first novel is classified "The Man .Of Property". In this first novel of the Forsyte Saga, in the wake of acquainting us with the amazing exhibit of Forsytes headed by the impressive Aunt Ann, Galsworthy moves into the principle activity of the adventure by enumerating Soames Forsyte's craving to claim things, including his excellent spouse, Irene Forsyte (Heron). He is envious of her fellowship and needs her to be his alone. He devises an arrangement to move her to the nation, to Robin Hill and a house he is having fabricated, away from everybody she knows and cares. She opposes his getting a handle on aims, and goes gaga for the engineer Philip Bosinney who has been locked in by Soames to fabricate the house. Bosinney restores her affection despite the fact that Bosinney is the life partner of her young companion June Forsyte, the girl of Soames' repelled cousin 'Youthful' Jolyon. There is no glad closure: Irene leaves Soames after he affirms what he sees to be his definitive right on his property, he assaults Irene, and Bosinney passes on under the wheels of an omnibus subsequent to being driven hysterical by the updates on Irene's assault by Soames.



The subsequent novel is classified "Indian Summer Of a Forsyte". In a short recess after The Man of Property, Galsworthy dives into the freshly discovered companionship among Irene and Old Jolyon Forsyte (June's granddad, and at this point the proprietor of the house Soames had manufactured). This connection gives Old Jolyon delight, however debilitates his quality. He leaves Irene cash in his will with Young Jolyon, his child, as trustee. At long last, Old Jolyon kicks the bucket under an old oak tree in the nursery of the Robin Hill house.

The next one is Chancery. The marital discord of both Soames and his sister Winifred is the subject of the second novel (the title references the Court of Chancery, which deals with domestic issues). They take steps to divorce their spouses, Irene and Montague Dartie respectively. However, while Soames tells his sister to brave the consequences of going to court, he is unwilling to go through a divorce. Instead, he stalks and hounds Irene, follows her abroad, and asks her to have his child, which was his father's wish.

Irene inherits £15,000 after Old Jolyon's death. His son, Young Jolyon Forsyte, also Soames's cousin, manages Irene's finances. When she first leaves Soames, Young Jolyon offers his support. By the time his son Jolly dies in the South African War, Irene has developed a strong friendship with Jolyon. Then Soames confronts young Jolyon and Irene at Robin Hill, falsely accusing them of having an affair. Young Jolyon and Irene assert that they have had an affair because Soames has it in his mind already. This statement gives Soames the evidence he needs for divorce proceedings. That confrontation sparks an eventual consummation between young Jolyon and Irene, leading to their marriage once the divorce is final and the birth of a son Jolyon 'Jon' Forsyte. Soames marries Annette, the young daughter of a French Soho restaurant owner. With his new wife, he has his only child, a daughter named Fleur Forsyte.

The following is "Arousing". The subject of the subsequent interval is the innocent and extravagant way of life of eight-year-old Jon Forsyte. He adores and is cherished by his folks. He has a charming youth, and all his wants reveled.

The following one is "To Let". This epic closes the Forsyte Saga. Second cousins Fleur and Jon Forsyte meet and begin to look all starry eyed at, oblivious of their folks' past difficulties, careless activities and offenses. Once Soames, Jolyon, and Irene find their sentiment, they preclude their youngsters to see each other once more. Irene and Jolyon likewise dread that Fleur is an excess of like her dad, and once she has Jon in her grip, will need to have him altogether. In spite of her affections for Jon, Fleur has a truly reasonable admirer, Michael Mont, beneficiary to a baronetcy, who has gone gaga for her. On the off chance that they wed, Fleur would raise the status of her family from nouveau riche to the distinguished privileged. The title gets from Soames' appearance as he separates the house wherein his Uncle Timothy, as of late expired in 1920 at age 101 and the remainder of the more established age of Forsytes, had carried on with a loner, storing his life like property.

Realizing he is soon amazing a powerless heart, Jolyon composes a letter to Jon, itemizing the occasions of Irene's union with Soames, incorporating her relationship with Philip Bosinney and Soames' assault of her and cautions him that Irene would be separated from everyone else if he somehow managed to wed Fleur. In any case, while Jon peruses the letter, Jolyon out of nowhere bites the dust of a coronary failure, and Jon is left conflicted between the past and his current love for Fleur. He eventually dismisses Fleur, making his own extremely upset just as hers and leaves for Canada. Fleur weds Michael Mont, however she realizes she doesn't adore him. With her marriage, Soames is isolated from the main individual whom he has genuinely adored. Irene likewise leaves for Canada, selling the house at Robin Hill. Soames and Irene quickly trade looks a good ways off and a sort of harmony is made between them, however Soames is left mulling over all that he never truly had yet attempted to have.

Through his compositions Galsworthy crusaded for an assortment of causes, including jail change, ladies' privileges, and creature government assistance, and furthermore against control. Galsworthy was a supporter of British inclusion in the First World War. In an article for The Daily News on 31 August 1914 Galsworthy called for war on Germany to secure Belgium. Galsworthy included "What are we going to accomplish for Belgium — for this generally heroic of little nations, ground, due to sheer devotion, under an iron heel?" During the First World War he worked in a medical clinic in France as a deliberate, in the wake of being disregarded for military assistance, and in 1917 turned down a knighthood, for which he was named by Prime Minister David Lloyd George, on the statute that an essayist's prize comes just from keeping in touch with itself. Galsworthy contradicted the butcher of creatures and battled for basic entitlements He was additionally a compassionate and an individual from the Humanitarian League.

In 1921 he was chosen as the primary leader of the PEN International scholarly club and was named to the Order of Merit in 1929. Galsworthy was granted the 1932 Nobel Prize for Literature, having been selected that equivalent year by Henrik Schück, an individual from the Swedish Academy. He was too sick to even think about attending the Nobel Prize introduction service on 10 December 1932 and passed on seven weeks after the fact. He gave the prize cash from the Nobel Prize to PEN International.

Galsworthy lived for the last seven years of his life at Bury in West Sussex. He passed on from a mind tumor at his London home, Grove Lodge, Hampstead. As per his will he was incinerated at Woking, with his remains at that point being dissipated over the South Downs from a plane, yet there are likewise dedications to him in Highgate 'New' Cemetery and in the shelters of New College, Oxford, cut by Eric Gill. The notoriety of his fiction wound down rapidly after his passing yet the gigantically effective TV adjustment of The Forsyte Saga in 1967 recharged enthusiasm for his work.

The passage from the book.

This part which I was given is settled in VI chapter of “To Let” and this is chapter which I describe. This part of book begins information which was told John about guests. The guests were a girl and Val. They would come down at the weekend. They met without any preparedness. Therefore they were introduced with each other by Holly. The narrator described Fleur as so confounded by the providential nature of the miracle. Fleur greeted with them as she had never seen them before. John did not want speak anything and he was described as grave at this point of book. Then the author remembered John’s early life and the time about reading book by John at the night-light. John was reading something and his mother was near him. He read as follows: “ I was just turning over the leaves, Mum ”. His mother replied or somehow advised him not tell story . Because, nobody will believe John’s story.

That saying affected to John’s untruth speech. It is reason for John to listen Fleur’s ideas about merriness of everything. Mum’s saying made John not no believe everything and John developed unbelievable thought. It is said in the novel you can understand yourself when you are nervous. You can see dark object which changes its position and shape. John also saw this kind of moment. It was dark eyes and hair in John and they changed its position, but never its shape. The connection between this moment and John is impossible question to understand. This impossible question made John wait, copy out his poem and some feelings which he never described his poem. This point of poem is somehow difficult to understand to the reader and enrich feelings of John. John continued on thinking. He saw her riding with Val. That sight made John sad. He saw them disappearing and appearing one more time via window. John waited his chance.

John was considering about his distrust and unready. He imagined riding horse as leaning his chin on his hands. He spent three hours in thinking at the weekend. He supposed not to encounter this kind of men in the flat and even he did not know.

The next John had dinner with yearling. He prepared well, dressed and woke up early. He missed Fleur since her last visit. At the dinner, John sat another site of her and it was difficult for John to tell anything. He was worried about saying something wrong. He could not treat himself in natural way as he had fear. He looked at her for a long time in a way that looks stupid. All in all, he was anxious and somehow excited about sitting opposite her. Fortunately, she was speaking so well and looks like a bird which flies swift and right in the sky. John contemplated how she had learned speaking well, without fear. And add to this, in John’s opinion, she thought him pessimistic person.

His sister looked at John with astonishment. Holly obliged John to look at Fluer. Jolly was a bit sorry his brother’s action and she wanted to direct theme of the dinner. John did not want to look at Val. Because Val ate his cutlet without any attention. He had no grin and no eyes like her.

Holly broke silence and said “ John will be a farmer or a poet”

John looked with the comic as his father and smiled. Even he felt better himself.

Val talked about the incident of monsieur Prosper Profond and something which happened there. He looked at Holly. Fluer was in peace and beautiful and John was free enough to look at Fluer. She was dressed in a red color, ordinary and well-made. Her arms were bare and there was white rose in her hair. John glanced at Fluer in a magnificent way. The narrator described Fluer as one sees in the dark a slender white fruit-tree; caught her like a verse of poetry flashed before the eyes of the mind, or a tune which floats out in the distance and dies.

He wondered dizzily about her age. Fluer seemed so much more self-confident and had experienced than John. John thought about telling their meeting before. John remembered his mother and mother’s personality. His mother’s face was described as “hurt-looking, puzzled”. John also remembered his mother’s answer “Yes, They are relations, but we do not know them”. It was clear for John that if his mother had known Fluer, she would never admired her. After dinner, next to Val, john drank his wine which was made in Portuguese and answered useful sites of this new-found brother-in-law. John talked about riding (always the first consideration with Val) he could have been the young horse that is red-brown in colour either happy or not. He always look after the young chestnut when he brought it in. John said he used to all that at home and saw that he rode one in his host’s estimation.

Val said Fluer that she cannot ride much yet, but she has a desire to ride. Val talked about her father. Fluer’s father does not know a horse from a cartwheel. Val asked Fluer if her father could ride.

Fluer answered his father was accustomed to it. He hated it and also was very old. So he never could ride.

Val agreed with Fluer’s opinion. He talked about knowing Fluer’s brother at Oxford long ago. Her brother died in the Boer War. Her brother and Val had a fight in New College Gardens. He said that was a queer business and a good deal came out of it.

John opened his eyes wide and everything was pushing John towards historical research. At that moment his sister’s voice broke that status of John from doorway:

She asked them to come along and that moment was narrated by the author as follows: “he rose, his heart pushing him towards something far more modern.

Fluer said it was simply enough to stay indoors and they all went out. The nature was described well: moonlight was frosting the dew and an old-dial threw a long shadow. Two box hedges at right angles, dark and square, barred off the orchard. Fluer looked at John that angled opening.

She invited him to come on. John looked at the others and walked. Fluer was running among the trees like ghost. All was attractive for John and there was a scent of old trunks and of nettle. She disappeared suddenly. He thought he could not find her, but then he run into her standing quite still. She asked was not it jolly and John answered: quite rather. They were talking. Fluer asked if she could call him John and John appropriated. Everything was right, but Fluer said there is an angry quarrel between their families. John was surprised. Fluer gave question: it was ever so romantic and silly? So she preferred not to meet. Fluer invited John to get up early before breakfast and go for a walk. She pretended being slow about things. John agreed with her without desire. Fluer talked about beauty and liked all kinds of beauty. Fluer does not like Greek things a bit. John goy surprised. She also do not like Euripides. She could not bear Greek plays. She did not like long things. She just wants to look at one picture and cannot bear kind of things which is located together. Then she held up her blossom in the moonlight and that was better than all the orchard for John.

Suddenly Fluer caught John’s hand and asked of all things in the world, didn’t you think caution was the most awful. She thrust the blossom against his face. John agreed with her opinion giddily. He bent over and kissed the hand which held her.

Fluer was a bit hurry. So she asked about her handkerchief and gave question about dropping her handkerchief on purpose. She also liked silence when it was swift. John was quite shocked because of Fluer’s saying about his silence.

They decide to go back and they would understand that it was done in purpose. Again Fluer ran like a ghost among the trees. John was full of love in his heart. They came out where they had gone in and Fluer was walking seriously.

Fluer said Holly about walking and it was quite exciting. John remained being silent and he contemplated Fluer’ opinion about silence. It was described by the author “hoping against hope”. Fluer bade him a casual and demure good-night which made him think he had been dreaming. Fluer was also dreaming that night in her bedroom and she was like “a mousme’, sitting cross-legged on her bed by candlelight. She hand flung off her gown and wrapped in a shapeless garment.

Fluer wrote a letter to John and it was full of heart and love. I give full meaning of letter below:

Fluer believed loved John. She had got it in her check. Only the feeling was really down. Fluer said that he was a second cousin – such a child, about six months older and ten years younger than her. She mentioned he was younger than her. It was not important for Fluer and she gave reason as follows: Boys always fell in love with their seniors and girls with their juniors or with old men of forty. She begged not to laugh and talked about his eyes. His eyes are the truest things she ever saw and also his silence was quite divinely. She remembered their romantic first meeting in London under the Vospovitch ‘Juno’. She contemplated tomorrow morning they were going to walk off into Down fairyland and John was sleeping in the next room, the moonlight’s on the blossom. It was strong quarrel between their families, but in Fluer’s opinion, it made their love more exciting. Truly! also, I may need to utilize trick and please you for solicitations—assuming this is the case, you'll know why! My dad doesn't need us to know one another, yet I can't support that. Life's excessively short. He's got the most delightful mother, with beautiful gleaming hair and a youthful face with dim eyes. I'm remaining with his sister—who wedded my cousin; it's totally blended up, yet I intend to siphon her to-morrow. We've frequently discussed love being a ruin sport; well, that is all tosh, it's the start of game, and the sooner you feel it, my dear, the better for you.

"Jon (not rearranged spelling, yet short for Jolyon, which is a name in my family, they state) is the sort that lights up and goes out; around five feet ten, still developing, and I accept he will be an artist. On the off chance that you giggle at me I've finished with you for ever. I see a wide range of troubles, yet you know when I truly need a thing I get it. One of the central impacts of affection is that you see the air kind of possessed, such as observing a face in the moon; and you believe—you feel dancey and delicate simultaneously, with an entertaining sensation—like a ceaseless first sniff of orange bloom—simply over your remains. This is my first, and I feel as though it were going to be my last, which is foolish, obviously, by all the laws of Nature and ethical quality. On the off chance that you mock me I will destroy you, and on the off chance that you tell anyone I will never pardon you. To such an extent, that I nearly don't think I'll send this letter. Anyway, I'll rest over it. So great night, my Cherry—gracious!

Plot

The Forsyte Saga is a trilogy about money, class, and morals at the end of the Victorian and start of the Edwardian era. It focuses on a large upper-middle class family who are very conscious of their wealth being “new money”. The story focuses on two branches of the family (the Jolyon Forsytes and the James Forsytes), and it is their interactions that form the main plot of this saga. It is a series about the expansion of wealth and the price of beauty and love.

Galsworthy spends much of his time of the third novel and final book of the Saga, aptly named To Let—where the solidity of ownership has shifted to the insecurity of “letting”—examining the “modern looseness” (717) of the new generation. He criticizes the rigidity and congealed life characterizing Soames’s rational self-interest but also warns not to go too far, as it were. Dissolution is essential, but as Lawrence—following Nietzsche—spelt out in Women in Love (1920), it can lead to nullity just as easily as it can lead to new life. This double movement of dissolution is implied throughout much of To Let. As a by-now old young Jolyon says to his son Jon in 1920, halfway through the novel:


“The young are tired of us, our gods and our ideals. Off with their heads, they say—smash their idols! And let’s get back to—nothing! And, by Jove, they’ve done it! Jon’s a poet. He’ll be going in, too, and stamping on what’s left of us. Property, beauty, sentiment—all smoke. We mustn’t own anything nowadays, not even our feelings. They stand in the way of—Nothing!”

“Nothing’s the god of today,” continued Jolyon, “we’re back where the Russians were sixty years ago, when they started Nihilism.”

Young Jolyon’s outburst against what he sees as the nihilism of the young is in part an emotional reaction to the situation. Fleur, Soames’s daughter, and Jon, the son of young Jolyon and Irene, have fallen in love and wish to go ahead with their relationship despite opposition from their parents; from their perspective, the past is a dead hand, and Jon makes this clear in his response to Jolyon: “No, Dad,” cried Jon suddenly, “we only want to live, and we don’t know how, because of the Past—that’s all!”

Galsworthy’s liberalism is apparent in all this. Let’s break down the congealed world of mid-Victorian market liberalism, he is effectively saying, but let’s also make sure we don’t go too far and end up in a constant state of flux and nothingness. This is the problem of liberalism right from the beginning, but recast in the early twentieth-century context. As Edmund Fawcett argues:

Liberalism began with a predicament. The first liberals were looking for a new order after the productive turmoil of early industrial capitalism and three late eighteenth-century political revolutions—American, Dutch, and French—had turned society and politics upside down. Their principal challenge was that order would from now on be dynamic, not static. … In searching for an acceptable political order in a destabilized world of ceaseless change, liberals had accordingly a dream, a nightmare, and a daytime picture of human society that combined both in an unsteady, creative tension.

Galsworthy’s concern in The Forsyte Saga is less with finding a specifically political order (though there is plenty of political discussion in it) than with finding a kind of family order that enables emotional and physical flourishing. The “mastery” of old Jolyon’s generation, a mastery that Soames attempts to retain in a changed world where, for example, women are recognized to have rights,[44] can no longer work in the early twentieth century. Mastery has to be learned and earned, and even then it can only be self-mastery.

Primarily a realist in his technique, Galsworthy at his best perfectly captures the social rituals and the physical settings that characterize the Forsyte way of life: the business meetings in bank offices, the receptions held in stuffy drawing rooms, the joyless weddings in expensive but lifeless houses. His characters are nevertheless types that are easily recognizable in real life: Soames Forsyte, the prosperous but unfulfilled man of affairs; his wife Irene, bored with possessions and in need of passion; Old Jolyon Forsyte, the dynasty founder; Soames’ daughter Fleur, the new woman. Through the use of such a huge time frame, Galsworthy is able to convey the stark differences between the various generations treated in the novels, while also commenting upon the societal changes that are occurring around them.

Though the novels were immensely popular when they were first published, Galsworthy, along with his contemporaries Arnold Bennett and H. G. Wells, came under attack in the 1920’s by Virginia Woolf, E. M. Forster, James Joyce, and other more characteristically modern writers who disdained the heavy and predictable realism of the older authors’ work. But a whole new generation discovered the Forsyte novels when they were adapted for television by the BBC in the late 1960’s.

“To Let” the third book of The Forsyte Saga opens quite a long while after we last observed the Forsyte family, it is currently 1920, and Fleur, Soames' little girl and Jon, Jolyon and Irene's child are right around nineteen, thus far have never met. Since the outrage which came about in Irene wedding her ex Soames' cousin Jolyon Forsyte, the different sides of the family have not met. Fleur and Jon have so far heard no whiff of the occasions of twenty years sooner; their folks have protected them from an earlier time, every one of them have existed serenely on the planet made for them by their revering guardians. When Jon and Fleur first notice each other at a display, he in the organization of his mom, she with her dad, it is in a split second obvious to both youngsters that there are things they don't have the foggiest idea. The universe of the Forsytes is contracting, and the just one of the old Forsytes who is left is old Timothy, presently past a hundred, he is thought about with perseverance and love by workers who kept the First World War from him, and invest wholeheartedly in the elderly person's hunger.

Soames who was once so quick to have Irene no matter what, has, since his little girl's introduction to the world emptied all his dedication into her. Fleur is powerful and ruined she makes the most of her situation at the focal point of her dad's reality. Soames' relationship with his second spouse Annette is typically cool, he has never arrived at a genuine degree of comprehension with her, nor does it appear that he at any point attempted to. Jon then again, living with his committed guardians at Robin Hill, is a beautiful, well-meaning youngster, attentive and near the two his folks. The twenty years that Jolyon and Irene have been hitched have been extremely cheerful, with Jolyon's girl Holly wedded to Val Dartie and living in South Africa and June the moderately aged little girl of his first marriage living in London, they have delighted in a generally tranquil life.

Change is wherever noticeable all around, with the Great War over and a more prominent opportunity for youngsters, it is unavoidable that as Fleur and Jon go out into the world, that they may find reality behind the old family quarrel. Val and Holly are back in England, and are cautioned that Jon remains unaware of the past, when it is organized Jon to invest energy taking in cultivating from his relative's significant other. Val Dartie's mom obviously is Soames' sister, thus there is the inescapable gathering of Jon and Fleur at the Dartie home, causing Holly a deep sense of uneasiness. Fleur and Jon, are in a flash pulled in to one another, they strive to conceal their developing fixation on one another from the family, while attempting to make sense of what precisely the old family quarrel is about.

Fleur and Jon figured out how to meet various occasions without anybody staying alert exactly how close they have developed or how regularly they have met. At the point when the genuine idea of their relationship is uncovered, the two sides of the family are shocked at the idea of Jon and Fleur wedding – their kids the grandkids of both Soames and Irene – a possibility Irene specifically can't hold up under. While his significant other invests expanding measures of energy with a fairly odd Frenchman, the purpose of whom I was never certain of – Soames makes a decent attempt to persuade Fleur to surrender Jon. Fleur has pulled in the considerations of another youngster, the child of a baronet, who Soames isn't certain of – however wants to Jon. Jolyon is more than seventy, his wellbeing is beginning to separate, however he feels the one thing he should do is to isolate Jon from Fleur as generous as possible. Irene won't approach Jon to do anything only for her, and eventually surrenders it over to him to choose. Fleur anyway is a lot of her dad's girl.

Characters

First of all, this book which I am writing as course work is consisted of three books. So there are kind of characters which is connected each other. There are characters which I am going to mention:

The Main characters:

Soames Forsyte – one of the protagonists in the novel and who yearns for a son to carry on the family name. Soames decides that he must obtain a divorce from Irene. He has selected a young, practical French woman, Annette Lamotte, as a suitable wife for him and the future mother of his child. He cannot, however, stay away from Irene, whom he still considers his property. A detective’s report on her involvement with Young Jolyon prompts Soames to sue for divorce, naming Young Jolyon as co-respondent. Soames marries Annette, and they have a daughter.



Irene Heron – one of the protagonist characters in the novel and Forsyte, Soames’s beautiful wife. After marrying Soames, she discovered that she found him sexually repellent. In the architect Philip Bosinney, she finds a man she can love. After the rape, she leaves Soames; however, when Bosinney is run over after she has told him about the rape, she feels responsible for her lover’s death. Near collapse, she returns home.

Jolyon Forsyte (Old Jolyon) – one of the protagonist in the novel and an eighty-year-old man who is especially fond of children. Because of his love for his little granddaughter June Forsyte, he sided with his daughter-in-law against his only son, Young Jolyon. After not seeing him for fourteen years, however, Old Jolyon seeks out his son, reestablishes their old relationship of total trust, and becomes close to the two young grandchildren he has never known. To please June and to spite his brother James, he buys the house at Robin Hill, which Bosinney had built for Soames.

Holly – one of the protagonist of the novel and Young Jolyon’s daughter from his second marriage, to June's governess.

John – one of the protagonist of the novel and Young Joylon’s son from his third marriage to Irene.

Fluer –one of the protagonist of the novel and Soames’ daughter from his second marriage to a French Soho shop-girl Annette, John’s lover, later marries a baronet, Micheal Mon.



Ann – one of the protagonist in the novel and the eldest of the family.

The secondary characters:



Young Jolyon - Jolyon Forsyte, the son of Old Jolyon, a painter, who like his father is not a typical Forsyte. When he left his wife for another woman, young Jolyon and his father became estranged.

Val - Winifred and Montague's son; fights in the Boer War and come back; marries his cousin Holly.

The epizodes:

Timothy – one of the antagonist in the novel the most cautious man in England

The action:

The start of the activity is in 1920 – Soames despises being in the super-charge section, is satisfied with his young little girl Fleur, and endures a cold and cold union with Annette. At a show of present day works of art he and Fleur find Irene and her child Jon. Fleur questions her dad intently about the Forsyte family ancestry. He wishes to disguise from her any information on his first union with Irene. Jolyon is compelled to carry on with a calm life. Irene writes about the gathering with Soames. Jolyon too wishes to keep 'the previous' hidden from his child, who has fallen right away for Fleur. Soames visits old uncle Timothy in his unaltered house in the Bayswater Road. Soames thinks the house is a sepulcher to the nineteenth century which ought to be preserved.Val Dartie is given a racehorse by the baffling Belgian Prosper Profond, who professes to be a companion of the family.Young Jon shows up at Val Dartie's to start a cultivating apprenticeship – yet rather he starts to compose poetry.Fleur shows up at the house. Jon is in a condition of humiliated clumsiness, however Fleur is very forward with him. Jon and Fleur go for an early morning sentimental stroll on the Sussex Downs where they bit by bit uncover their affections for one another. Soames sells a Gaugin painting to Profond the Belgian dandy, and is then visited by the craftsmanship devotee Michael Mont. Jolyon needs to send Jon to another country to get him away from Fleur. Irene volunteers to come clean with Jon about the family's past. Jon and Fleur mastermind a train venture so as to be together in private. They consent to tolerate a multi week division while he is on vacation with his mom. Fleur is pursued by Michael Mont. She catches Profound playing with her mom Annette. Soames is possessively desirous of Fleur's connection to Jon.

The creating procedure of the activity is Jon and his mom Irene go on vacation to Spain for about a month and a half. He is overwhelmed with sunstroke. Jolyon's little girl June feels that Jon ought to be come clean about Irene. She goes to see Fleur however doesn't uncover the realities. Fleur finds an old photo of Irene in her dad's room – and imagines that possibly he once cherished her. Jon goes up to town where there is tattle in Val's club about the Belgian Profond and Annette. He meets Fleur and takes her home where she is invited by Jolyon and Irene. Fleur learns reality with regards to Soames and Irene from the tattle of the nefarious Profond, who uncovers he is leaving for a journey on his yacht. Soames changes his will to give a legacy to Fleur by means of a trust. Soames gets an unknown letter educating him that his better half is engaged with an 'outsider'. Michael Mont visits to uncover his adoration for Fleur. Soames challenges Annette however she will not react. Fleur visits June's studio to orchestrate a private meeting with Jon, whom she is resolved to wed. Fleur proposes to steal away with John to wed in Scotland – however he is scared to make such an extreme stride. Fleur uncovers everything to her dad. They contend about the knowledge of her relationship with Jon. Jon is clashed about his choice to wed Fleur, yet he at long last chooses to do it transparently. At Lord's the Belgian Profond shows up again and reaches Irene, who declares that she is going to visit her mom in Paris.

The last piece of the activity is Jolyon composes a letter to John, setting out reality with regards to Irene and Soames, and requesting that he sever his relationship with Fleur for his mom's sentiments. Irene affirms the letter. Jon unexpectedly seems to report his commitment to Fleur. Jolyon gives him the letter to peruse. When Jolyon goes into the nursery looking for Jon, he falls and bites the dust. Jon peruses the letter and is alarmed – at that point his mom finds Jolyon dead ground floor. Soames plans to change his will with respect to Fleur, and thinks to urge Mont to keep Jon away from Fleur. Annette is composing from Dieppe. Fleur endures the considerations of Mont, however chooses to head to Robin Hill to see Jon. Jon acquires his dad's riches. Fleur visits him to argue her case, however he is still 'dependent upon his mom'. Irene concedes she wasn't right to wed Soames, a man she didn't cherish. Fleur asks Soames to support her. He visits Robin Hill, however Irene says that a choice on the proposed marriage rests with Jon, who decreases it. Soames reports the choice to Fleur, who is crushed and denounces him (effectively) of not making enough of an effort. Jon chooses to travel to another country with his mom, who proposes he ought to go alone in the main case. Fleur hesitantly and miserably weds Michael Mont. Jon goes to British Colombia and writes to state he isn't returning. Old Timothy Forsyte kicks the bucket, leaving a colossal fortune – to be kept inside the family. Soames visits Highgate Cemetery and thinks about insightfully the death of Victorian qualities.

Conclusion

I want to say the importance of English language once again at the end of this course book. The government has much more attention toward English these days than ever. The foundation of The President Schools, the creation branch of popular universities of abroad and found called “El - Yurt Umidi” is as examples of giving attention for the last three years. I hope this opportunity will be used by the young and it is useful for our country in this changing age.

Literature, as a subject and type of art is always connected with real life and all historical processes of humanity. Each literary work reflects definite life problem and reflects it, depending on author’s approach, creative position, cost of mind, national tradition.



John Galsworthy is a good writer. He achieved his goals as writer. He was elected several international organizations. He was awarded in Literature “The Nobel Prize”. His works gave him popularity. Not only his novels, but also his plays and stories were the best – sellers in that age. Every writer wants to get this kind of success as an example of John Galsworty.

J. Galsworthy in his earlier novels created portrait essays in which he described both personage appearance and gave him wide psychological characteristics, including biographic points about all previous days of his life. Sometimes, author’s characteristics and appearance descriptions can be separated from each others by means of other personages or collisions descriptions. In spite of it, central personages can be completely characterized at the beginning of book already.



Next this I want to tell is his trilogy “Forsyte Saga”. “Saga” means that story or tale. In a modern context ‘saga’ has come to be used to describe any long-running narrative giving an account of domestic, political, or romantic events. The Forsyte Saga was trilogy and “ The man of property”, “Awakening” and “To Let” are names of them. John Galsworthy wrote later “Modern Comedy” and “The End of the Chapter”. These all called “Forsyte Chronicle”. As the trilogy was not get in success at first publishing. When they were filmed, they were created once again.

Through reading this book, you can increase your knowledge of England history. This novel was written over 40 years and it covered 50 years of history. Not only I done my course book, but also I created their daily lives, social problems, ideology of that age. It is more useful to do this kind of works for enhancing English.

All in all, I share one quote about Fluer by John Galsworthy:

“Love is not a hot-house flower, but a wild plant, born of a wet night, born of an hour of sunshine; sprung from wild seed, blown along the road by a wild wind. A wild plant that, when it blooms by chance within the hedge of our gardens, we call a flower; and when it blooms outside we call a weed; but, flower or weed, whose scent and color is always wild. John Galsworthy, “Forsyte Saga”

References:

1. .CEFR Guides. Sheykhametova Cambridge University press 2014

2. "John Galsworthy – The Forsyte Saga"



3. Oxford Dictionary of National Biography

4. Description of the plot from John Galsworthy, by George Orwell, Monde 23 March 1929

5. Wikipedia.org



6. The Forsyte Saga (1922) Charles Scribner's Sons (combined in one volume)

7. Full text of all volumes of The Forsyte Saga from Project Gutenberg
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