Don’t be ridiculous. I grab his arm.
“C’mon,” I say. “Let’s go. Keep moving.”
After another tug, he comes out of his daze and follows me. As we pass the table, the woman’s body
disappears, except in my memory and his. What would it be like to kill someone every time I went
through my landscape? Maybe I’ll find out.
But something puzzles me: These are supposed to be Four’s worst fears. And though he panicked in
the box and on the roof, he killed the woman without much difficulty. It seems like the simulation is
grasping at any fears it can find within him, and it hasn’t found much.
“Here we go,” he whispers.
A dark figure moves ahead of us, creeping along the edge of the circle of light, waiting for us to
take another step. Who is it? Who frequents Four’s nightmares?
The man who emerges is tall and slim, with hair cut close to his scalp. He holds his hands behind
his back. And he wears the gray clothes of the Abnegation.
“Marcus,” I whisper.
“Here’s the part,” Four says, his voice shaking, “where you figure out my name.”
“Is he…” I look from Marcus, who walks slowly toward us, to Four, who inches slowly back, and
everything comes together. Marcus had a son who joined Dauntless. His name was…“Tobias.”
Marcus shows us his hands. A belt is curled around one of his fists. Slowly he unwinds it from his
fingers.
“This is for your own good,” he says, and his voice echoes a dozen times.
A dozen Marcuses press into the circle of light, all holding the same belt, with the same blank
expression. When the Marcuses blink again, their eyes turn into empty, black pits. The belts slither
along the floor, which is now white tile. A shiver crawls up my spine. The Erudite accused Marcus of
cruelty. For once the Erudite were right.
I look at Four—Tobias—and he seems frozen. His posture sags. He looks years older; he looks
years younger. The first Marcus yanks his arm back, the belt sailing over his shoulder as he prepares
to strike. Tobias shrinks back, throwing his arms up to protect his face.
I dart in front of him and the belt cracks against my wrist, wrapping around it. A hot pain races up
my arm to my elbow. I grit my teeth and pull as hard as I can. Marcus loses his grip, so I unwrap the
belt and grab it by the buckle.
I swing my arm as fast as I can, my shoulder socket burning from the sudden motion, and the belt
strikes Marcus’s shoulder. He yells and lunges at me with outstretched hands, with fingernails that
look like claws. Tobias pushes me behind him so he stands between me and Marcus. He looks angry,
not afraid.
All the Marcuses vanish. The lights come on, revealing a long, narrow room with busted brick walls
and a cement floor.
“That’s it?” I say. “Those were your worst fears? Why do you only have four…” My voice trails
off. Only four fears.
“Oh.” I look over my shoulder at him. “That’s why they call you—”
The words leave me when I see his expression. His eyes are wide and seem almost vulnerable under
the room’s lights. His lips are parted. If we were not here, I would describe the look as awe. But I
don’t understand why he would be looking at me in awe.
He wraps his hand around my elbow, his thumb pressing to the soft skin above my forearm, and
tugs me toward him. The skin around my wrist still stings, like the belt was real, but it is as pale as the
rest of me. His lips slowly move against my cheek, then his arms tighten around my shoulders, and he
buries his face in my neck, breathing against my collarbone.
I stand stiffly for a second and then loop my arms around him and sigh.
“Hey,” I say softly. “We got through it.”
He lifts his head and slips his fingers through my hair, tucking it behind my ear. We stare at each
other in silence. His fingers move absently over a lock of my hair.
“You got me through it,” he says finally.
“Well.” My throat is dry. I try to ignore the nervous electricity that pulses through me every second
he touches me. “It’s easy to be brave when they’re not my fears.”
I let my hands drop and casually wipe them on my jeans, hoping he doesn’t notice.
If he does, he doesn’t say so. He laces his fingers with mine.
“Come on,” he says. “I have something else to show you.”
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