CHAPTER XII.
The curtain fell, and rapturous applauses sounded out of every corner of the
house. The four princely corpses sprang aloft, and embraced each other.
Polonius and Ophelia likewise issued from their graves, and listened with
extreme satisfaction, as Horatio, who had stepped before the curtain to announce
the following play, was welcomed with the most thundering plaudits. The people
would not hear of any other play, but violently required the repetition of the
present.
“We have won,” cried Serlo, “and so not another reasonable word this night!
Every thing depends on the first impression: we should never take it ill of any
actor, that, on occasion of his first appearance, he is provident, and even self-
willed.”
The box-keeper came, and delivered him a heavy sum. “We have made a good
beginning,” cried the manager, “and prejudice itself will now be on our side. But
where is the supper you promised us? To-night we may be allowed to relish it a
little.”
It had been agreed that all the party were to stay together in their stage-
dresses, and enjoy a little feast among themselves. Wilhelm had engaged to have
the place in readiness, and Frau Melina to provide the victuals.
A room, which commonly was occupied by scene-painters, had accordingly
been polished up as well as possible: our friends had hung it round with little
decorations, and so decked and trimmed it, that it looked half like a garden, half
like a colonnade. On entering it, the company were dazzled with the glitter of a
multitude of lights, which, across the vapors of the sweetest and most copious
perfumes, spread a stately splendor over a well-decorated and well-furnished
table. These preparations were hailed with joyful interjections by the party; all
took their places with a certain genuine dignity; it seemed as if some royal
family had met together in the Kingdom of the Shades. Wilhelm sat between
Aurelia and the Frau Melina; Serlo between Philina and Elmira; nobody was
discontented with himself or with his place.
Our two theatric amateurs, who had from the first been present, now increased
the pleasure of the meeting. While the exhibition was proceeding, they had
several times stepped round, and come upon the stage, expressing, in the
warmest terms, the delight which they and the audience felt. They now
descended to particulars, and each was richly rewarded for his efforts.
With boundless animation, the company extolled man after man, and passage
after passage. To the prompter, who had modestly sat down at the bottom of the
table, they gave a liberal commendation for his “rugged Pyrrhus;” the fencing of
Hamlet and Laertes was beyond all praise; Ophelia’s mourning had been
inexpressibly exalted and affecting; of Polonius they would not trust themselves
to speak.
Every individual present heard himself commended through the rest and by
them, nor was the absent Ghost defrauded of his share of praise and admiration.
He had played the part, it was asserted, with a very happy voice, and in a lofty
style; but what surprised them most, was the information which he seemed to
have about their own affairs. He entirely resembled the painted figure, as if he
had sat to the painter of it; and the two amateurs described, in glowing language,
how awful it had looked when the spirit entered near the picture, and stepped
across before his own image. Truth and error, they declared, had been
commingled in the strangest manner: they had felt as if the Queen really did not
see the Ghost. And Frau Melina was especially commended, because on this
occasion she had gazed upwards at the picture, while Hamlet was pointing
downwards at the Spectre.
Inquiry was now made how the apparition could have entered. The stage-
manager reported that a back-door, usually blocked up by decorations, had that
evening, as the Gothic hall was occupied, been opened; that two large figures in
white cloaks and hoods, one of whom was not to be distinguished from the other,
had entered by this passage; and by the same, it was likely, they had issued when
the third act was over.
Serlo praised the Ghost for one merit, — that he had not whined and
lamented like a tailor; nay, to animate his son, had even introduced a passage at
the end, which more beseemed such a hero. Wilhelm had kept it in memory: he
promised to insert it in his manuscript.
Amid the pleasures of the entertainment, it had not been noticed that the
children and the harper were absent. Erelong they made their entrance, and were
blithely welcomed by the company. They came in together, very strangely
decked: Felix was beating a triangle, Mignon a tambourine; the old man had his
large harp hung round his neck, and was playing on it whilst he carried it before
him. They marched round and round the table, and sang a multitude of songs.
Eatables were handed them; and the guests seemed to think they could not do a
greater kindness to the children, than by giving them as much sweet wine as they
chose to have. For the company themselves had not by any means neglected a
stock of savory flasks, presented by the two amateurs, which had arrived that
evening in baskets. The children tripped about, and sang: Mignon, in particular,
was frolicsome beyond all wont. She beat the tambourine with the greatest
liveliness and grace: now, with her finger pressed against the parchment, she
hummed across it swiftly to and fro; now rattled on it with her knuckles, now
with the back of her hand; nay, sometimes, with alternating rhythm, she struck it
first against her knee and then against her head; and anon twirling it in her hand,
she made the shells jingle by themselves; and thus, from the simplest instrument,
elicited a great variety of tones. After she and Felix had long rioted about, they
sat down upon an elbow-chair which was standing empty at the table, exactly
opposite to Wilhelm.
“Keep out of the chair!” cried Serlo: “it is waiting for the Ghost, I think; and,
when he comes, it will be worse for you.”
“I do not fear him,” answered Mignon: “if he come, we can rise. He is my
uncle, and will not harm me.” To those who did not know that her reputed father
had been named the Great Devil, this speech was unintelligible.
The party looked at one another: they were more and more confirmed in their
suspicion that the manager was in the secret of the Ghost. They talked and
tippled, and the girls from time to time cast timid glances towards the door.
The children, who, sitting in the big chair, looked from over the table but like
puppets in their box, did actually at length start a little drama in the style of
Punch. The screeching tone of these people Mignon imitated very well; and
Felix and she began to knock their heads together, and against the edges of the
table, in such a way as only wooden puppets could endure. Mignon, in
particular, grew frantic with gayety: the company, much as they had laughed at
her at first, were in fine obliged to curb her. But persuasion was of small avail;
for she now sprang up, and raved, and shook her tambourine, and capered round
the table. With her hair flying out behind her, with her head thrown back, and
her limbs, as it were, cast into the air, she seemed like one of those antique
Mænads, whose wild and all but impossible positions still, on classic
monuments, often strike us with amazement.
Incited by the talents and the uproar of the children, each endeavored to
contribute something to the entertainment of the night. The girls sung several
canons; Laertes whistled in the manner of a nightingale; and the Pedant gave a
symphony pianissimo upon the Jew’s-harp. Meanwhile the youths and damsels,
who sat near each other, had begun a great variety of games; in which, as the
hands often crossed and met, some pairs were favored with a transient squeeze,
the emblem of a hopeful kindness. Madam Melina in particular seemed scarcely
to conceal a decided tenderness for Wilhelm. It was late; and Aurelia, perhaps
the only one retaining self-possession in the party, now stood up, and signified
that it was time to go.
By way of termination, Serlo gave a firework, or what resembled one; for he
could imitate the sound of crackers, rockets, and fire wheels, with his mouth, in a
style of nearly inconceivable correctness. You had only to shut your eyes, and
the deception was complete. In the mean time, they had all risen: the men gave
their arms to the women to escort them home. Wilhelm was walking last with
Aurelia. The stage-manager met him on the stairs, and said to him, “Here is the
veil our Ghost vanished in; it was hanging fixed to the place where he sank; we
found it this moment.” — “A curious relic!” said our friend, and took it with
him.
At this instant his left arm was laid hold of, and he felt a smart twinge of pain
in it. Mignon had hid herself in the place: she had seized him, and bit his arm.
She rushed past him, down stairs, and disappeared.
On reaching the open air, almost all of them discovered that they had drunk
too liberally. They glided asunder without taking leave.
The instant Wilhelm gained his room, he stripped, and, extinguishing his
candle, hastened into bed. Sleep was overpowering him without delay, when a
noise, that seemed to issue from behind the stove, aroused him. In the eye of his
heated fancy, the image of the harnessed King was hovering there: he sat up that
he might address the Spectre; but he felt himself encircled with soft arms, and
his mouth was shut with kisses, which he had not force to push away.
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