Dadaism and surrealism in american literature



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Dadaism and surrealism in American literature.

List of literature

  1. B. Marius. On the American Macabre. New York (October 1945), 7-8, 18, 20.

  2. B. André. “Manifeste du surréalisme.” 1924. In Manifestes du surréalisme. Paris: Gallimard, 1971.

  3. “Limites non-frontières du surréalisme.” 1936. Nouvelle Revue Française (1 February 1937): 48. Rpt. in Surrealism. Ed. H. Read. London: Faber and Faber Limited, 1971.

  4. ‘Drawbridges’ [1962], preface to Pierre Mabille, Mirror of the Marvelous: The Classic Surrealist Work on Myth [1940/1962]. Trans. Jody Gladding, Rochester, Vermont: Inner Traditions, 1998.

  5. B. Peter. “Cross-Currents: America and Europe.” In The Oxford Critical and Cultural History of Modernist Magazines, Volume II: North America 1894-1960. Ed. P. Brooker and A. Thacker. Oxford: Oxford University Press, 2012. 630-35.

  6. Coates, Robert M. The Eater of Darkness. 1926. New York: Macauley, 1929.

  7. Durozoi, Gérard. Histoire du mouvement surréaliste. Paris: Hazan, 2004.

  8. Dimakopoulou, Stamatina. “Europe in America: Remapping Broken Cultural Lines: View (1940-7) and VVV (1942).” In The Oxford Critical and Cultural History of Modernist Magazines, Volume II: North America 1894-1960. Ed. P. Brooker and A. Thacker. Oxford: Oxford University Press, 2012. 737-758.

  9. Eburne, Jonathan P. “Anti-Menckenism: Nathaniel West, Robert E. Coates and the Provisional Avant-Garde.” Modern Fiction Studies 56:3 (Fall 2010): 518-543.

  10. Fort, Ilene Susan. “American Social Surrealism.” In Archives of American Art Journal 22:3 (1982): 8-20.
    DOI : 10.1086/aaa.22.3.1557395

  11. Gano, Geneva M. “Nationalist Ideologies and New Deal Regionalism in The Day of the Locust.” Modern Fiction Studies 55:1 (Spring 2009): 42-67.

  12. Garrison. T. 1941. “Plaza of the Psychopathic Angels.” View 1:6 (June 1941): 4.

  13. Gysin.B “That Secret Look.” View 1:7-8 (October-November 1941): 7-8.

  14. Hoving.K “Joseph Cornell’s First Soap Bubble Set.” American Art 20:1 (2006):14-35. 14-35.

  15. Levy.J “Surrealism.” New York: Black Sun Press, 1936.

  16. Lévy.S “Sympatheric Order,” in American Artists in Paris, 1918-1939. A Transatlantic Avant-Garde. Ed. Sophy Lévy. Berkeley, Los Angeles: University of California Press / Giverny: Musée d’Art américain, 2003. 15-21.

  17. Mansanti.C La revue transition (1927-1938) : le modernisme historique en devenir. Rennes : Presses Universitaires de Rennes, 2009.
    DOI : 10.4000/books.pur.32713

  18. Paalen. W. Preface. DYNAmerindian Number 4-5 (December 1943).

  19. “Book Reviews: Exil. Fata Morgana. VVV.” DYNAmerindian Number 4-5 (December 1943): 81.

  20. Perloff. M. “Late Late Modern.” William Carlos Williams Review 22:1 (Spring 1996).

  21. Accessed through: http://epc.buffalo.edu/authors/perloff/parker.html

  22. Reynes-D, Anne. “Scénographies de la relation forte : de quelques objets surréalistes sous cloche” in Fictions modernistes du masculin/féminin 1900-1940. Ed. A. Oberhuber et A. Arvisais. Rennes: Presses universitaires de Rennes, 2016. 227-49.

  23. Roditi. E. “California Chronicle.” View 1:3 (October 1940): 4.

  24. Suárez. J A. “View (1940-47), the Avant-Garde, and the Uncertain Life of Objects: Criticism as if Fragments Mattered.” Miscelánea: A Journal of English and American Studies 18 (1997). Online.

  25. Tashjian.D. A Boatload of MadmenSurrealism and the American Avant-Garde 1920-1950. New York: Thames and Hudson, 1995.

  26. Tyler. P. “Americana Fantastica.” View 2:4 (January 1943): 5.

  27. Veitch.J. American Superrealism, Nathanael West and the Politics of Representation in the 1930s. Madison: University of Wisconsin Press, 1997.

  28. Weaver.M. William Carlos Williams: The American Background. Cambridge: Cambridge University Press, 1971.

  29. West, Nathanael. The Dream Life of Basno Snell. Paris: Contact Editions, 1931.

  30. Miss Lonelyhearts. New York, Liveright, 1933.

  31. The Day of the Locust. New York: Random House, 1939.

  32. Williams.W.C. “A Novelette.” 1932. In Imaginations. Ed. Webster Schott. New York: New Directions, 1970. 272-306.

  33. “Sordid? Good God!” Contempo 3:2 (25 July 1933): 5, 8. New York

  34. “Surrealism and the Moment.” View 2:2 (May 1942): 13. London




1 Bennard B. Perlman, Robert Henri: his life and art pp74-79 Dover, 1991 Retrieved August 9, 2010

2 Shinn, Everett. "Everett Shin on George Luks: An Unpublished Memoir". Archives of American Art. 6.2 (Apr., 1966).

3 Loughery, 1997, pp. 144–46.

4 Sherry Maker, Edward Hopper, Brompton Books, New York, 1990, p. 6, ISBN 0-517-01518-8

5 Sherry Maker, Edward Hopper, Brompton Books, New York, 1990, p. 8, ISBN 0-517-01518-8


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