“Tuesdays with Morrie” By Mitch Albom
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this woman, the patient, on the table, naked from the waist down. And he took a knife
and went zip just like that! Well …
Morrie lifted a finger and spun it around.
“… I started to go like this. I’m about to faint. All the blood. Yech. The nurse next to me
said, ‘What’s the matter, Doctor?’ and I said, ‘I’m no damn doctor!
Get me out of here!’”
We laughed, and Morrie laughed, too,
as hard as he could, with his limited breathing.
It was the first time in weeks that I could recall him telling a story like this. How strange, I
thought, that he nearly fainted once from watching someone else’s illness, and now he
was so able to endure his own.
Connie knocked on the door and said that Morrie’s lunch was ready. It was not the
carrot soup and vegetable cakes and Greek pasta I had brought that morning from
Bread and Circus. Although I tried to buy the softest of foods now, they were still beyond
Morrie’s limited strength to chew and swallow. He was eating mostly liquid supplements,
with perhaps a bran muffin tossed in until it was mushy and easily digested. Charlotte
would puree almost everything in a blender now. He was taking food through a straw. I
still shopped every week and walked in with bags to show him, but it was more for the
look on his face than anything else.
When I opened the refrigerator, I would see an
overflow of containers. I guess I was hoping that one day we would go back to eating a
real lunch together and I could watch the sloppy way in which he talked while chewing,
the food spilling happily out of his mouth. This was a foolish hope.
“So … Janine,” Morrie said. She smiled.
“You are lovely. Give me your hand.”
She did.
“Mitch says that you’re a professional singer.” Yes, Janine said.
“He says you’re great.”
Oh, she laughed. N0. He just says that.
Morrie raised his eyebrows. “Will you sing something for me?”
Now, I have heard people ask this of Janine for almost as long as I have known her.
When people find out you sing for a living, they always say, “Sing something for us.” Shy
about her talent, and a perfectionist about conditions, Janine never did. She would
politely decline. Which is what I expected now.
Which is when she began to sing:
“The very thought of you
and
I forget to do
the little ordinary things
that everyone ought to do …”
It was a 1930s standard, written by Ray Noble, and Janine sang it sweetly, looking
straight at Morrie. I was amazed, once again, at his ability t0 draw emotion from people
who otherwise kept it locked away. Morrie closed his eyes to absorb the notes. As my
wife’s
loving voice filled the room, a crescent smile appeared 0n his face. And while his
body was stiff as a sandbag, you could almost see him dancing inside it.
“I see your face in every flower,
your eyes in stars above,
it’s just the thought of you,
the very thought of you,
my love …”
When she finished, Morrie opened his eyes and tears rolled down his cheeks. In all
the years I have listened to my wife sing, I never heard her the way he did at that
moment.
Marriage. Almost everyone I knew had a problem with it.
Some had problems getting