Contents: introduction chapter I. Charles dickens life and career

The tasks of the work is to give detailed information about his works.
Dickens was being compared to Shakespeare, for imaginative range and energy, while he was still in his twenties. He and Shakespeare are the two unique popular classics that England has given to the world, and they are alike in being remembered not for one masterpiece (as is the case with Dante, Cervantes, or John Milton) but for a creative world, a plurality of works populated by a great variety of figures, in situations ranging from the somber to the farcical. For the common reader, both Shakespeare and Dickens survive through their characterization, though they offer much else. Dickens enjoys one temporary advantage in having lived when he did and thus being able to write of an urban industrial world, in which the notions of representative government and social responsibility were current – a world containing many of the problems and hopes that persist a century after his death and far beyond the land of his birth.¹
Charles Dickens’ pen-name was “Boz”. During his lifetime, Dickens was viewed as a popular entertainer of fecund imagination, while later critics championed his mastery of prose, his endless invention of memorable characters and his powerful social sensibilities. The popularity of his novels and short stories during his lifetime and to the present is demonstrated by the fact that none has ever gone out of print. Dickens played a major role in popularizing the serialized novel. Dickens’ works are characterized by an attack on social evils, injustice and hypocrisy. He had also experienced in his youth oppression, when he was forced to end school in early teens and work in a factory. Dickens’ lively good, bad and comic characters such as cruel miser Scrooge, the aspiring novelist David Copperfield, trusting and innocent Mr. Pickwick have fascinated generations of readers. Dickens's novels combine brutality with fairy-tale fantasy; sharp, realistic, concrete detail with romance, farce, and melodrama; the ordinary with the strange. They range through the comic, tender, dramatic, sentimental, grotesque, melodramatic, horrible, eccentric, mysterious, violent, romantic, and morally earnest. Though Dickens was aware of what his readers wanted and was determined to make as much money as he could with his writing, he believed novels had a moral purpose–to arouse innate moral sentiments and to encourage virtuous behavior in readers. It was his moral purpose that led the London Times to call Dickens "the greatest instructor of the Nineteenth Century" in his obituary.²