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Searching for examples of onomatopoeia



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Searching for examples of onomatopoeia
To use this website to search for examples of onomatopoeia scroll back to the top of the page click on a letter given on the right-hand search menu, if you click on 'A' it will take you to onomatopoeic words beginning with 'A'. Or, you can use the menu at the top of the page to link you to examples of onomatopoeia in letter ranges A-F, G-M, N-S, and T-Z. If you also want the definition of these onomatopoeic words then simply click on the word to be taken to its definition.
1. Read the extract below, state where the character is.
2. Do you think she is familiar with and feels comfortable in the environment judging by the first sentence of the extract? What stylistic devices help you to form your opinion?
3. Is the extract a description, a narration or an exposition? Give your reasons.
4. Speak about the image of the woods.
a) What method of characterization is used: direct or indirect?
b) Is the image rendered through the author’s or the character’s eyes?
c) Analyse the stylistic devices used to create this image; group them in accordance with the impression they produce. Does the impression change throughout the extract? Support your opinion with the necessary stylistic devices.
d) Has the author succeeded in creating an image of something alive while describing the woods? What means did he use for the purpose?
e) What effect is produced by gradation in the last line of the extract?
Trisha had never felt as much like a town girl as she did while that miserable, terrifying day was winding down toward dark. The woods came in clenches, it seemed to her. For a while she would walk through great old strands of pine, and there the forest seemed almost all right, like the woods in a Disney cartoon. Then one of those clenches would come and she would find herself struggling through snarly clumps of scrubby trees and thick bushes (all too many of the latter the kind with thorns), fighting past interlaced branches that clawed for her arms and eyes. Their only purpose seemed to be obstruction, and as mere tiredness slipped toward exhaustion, Trisha began to impute them with actual intelligence, a sly and hurtful awareness of the outsider in the ragged blue poncho. It began to seem to her that their desire to scratch her – to perhaps even get lucky and poke out one of her eyes – was actually secondary; what the bushes really wanted was to shut her away from the brook, her path to other people, her ticket out.

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