Body language

Figure 173The man on the left is straddling his chair in an attempt to take control of the discussion or to dominate the man on the right. He is also using the direct body point at the man on the right. He has clenched fingers and his feet are locked together under his chair, showing a frustrated attitude, which means that he is probably having difficulty in getting his point across. The man in the centre feels superior to the other two because of the hands-behind-head gesture he has taken. He also has the figure 4 leg lock position, meaning that he will compete or be argumentative. He has a high-status chair that swivels, leans back and has wheels and arm rests. The man on the right is seated on a low-status chair that has fixed legs and no accessories. His arms and legs are tightly crossed (defensive) and his head is down (hostile), indicating that he does not buy what he hears.

Figure 174The woman is displaying the classic courtship gestures. She has one foot forward, pointing towards the man on the far left (interest), a combination of hand-on-hip and thumb-in-belt (sexual readiness), her left wrist is exposed and she is blowing cigarette smoke upwards (confident; positive). She is also giving a sideways

glance to the man on the far left and he is responding to her courtship gestures by adjusting his tie (preening) and pointing his foot at her. His head is up (interested). The man in the centre is obviously unimpressed with the other man as he has his body pointing away and is giving him an aggressive sideways glance. He has his palms out of sight and is blowing his cigarette smoke down (negative). He is also leaning against the wall (territorial aggression).

Figure 175The man on the left is using superiority gestures and appears to have an arrogant attitude towards the man sitting opposite. He is using the eye block signal as his brain attempts to block the other man from sight and his head is tilted back to ‘look down his nose’ at him. Defensiveness is also evident as his knees are held tightly together and he is holding his wine glass with both hands to form a barrier. The man in the middle has been excluded from the conversation as the other two men have not formed a triangle to include him. He does, however, seem quite aloof as shown by his thumbsin-waistcoat gesture (superiority), he is leaning back on his chair and is using a crotch display. His head is in the neutral position. The man on the right has heard

enough and has taken the starter’s position (ready to leave) and his foot and body are pointed toward the nearest exit. His eyebrows and the comers of his mouth are turned down, and his head is slightly down, all of which demonstrate disapproval.