Attitude to culture and nature in uzbekistan

Performance Arts. Uzbek music is characterized by reedy, haunting instruments and throaty, nasal singing. It is played on long-necked lutes called dotars, flutes, tambourines, and small drums. It developed over the past several hundred years in the khanates on the territory of modern Uzbekistan, where musicians were a central feature of festivals and weddings. The most highly regarded compositions are cycles called maqoms. Sozandas, sung by women accompanied by percussion instruments, also are popular. In the 1920s, Uzbek composers were encouraged, leading to a classical music tradition that continues today. Modern Uzbek pop often combines elements of folk music with electric instruments to create dance music.
Uzbek dance is marked by fluid arm and upper-body movement. Today women's dance groups perform for festivals and for entertainment, a practice started during the Soviet period. Earlier, women danced only for other women; boys dressed as women performed for male audiences. One dance for Navruz asks for rain; others depict chores, other work, or events. Uzbek dance can be divided into three traditions: Bokhara and Samarkand; Khiva; and Khokand. The Sufi dance, zikr, danced in a circle accompanied by chanting and percussion to reach a trance state, also is still practiced.
Uzbekistan's theater in the twentieth century addressed moral and social issues. The Jadidists presented moral situations that would be resolved by a solution consistent with Islamic law. During the Soviet period dramatists were sometimes censored. The Ilkhom Theater, founded in 1976, was the first independent theater in the Soviet Union.
Admission to cultural events is kept low by government and corporate sponsorship. It also has become common for dancers to perform for groups of wealthy patrons.