"For . . . for the way you sound."
"How do I sound? Name it, Dagny."
"You sound . . . as if you're happy."
"I am—in exactly the same way you are. Don't tell me what you feel. I know it. But, you see, the
measure of the hell you're able to endure is the measure of your love. The hell I couldn't bear to witness
would be to see you being indifferent."
She nodded silently, unable to name as joy any part of the things she felt, yet feeling that he was right.
Clots of mist were drifting, like smoke, across the moon, and in the diffused glow she could not
distinguish the expressions of their faces, as she walked between them: the only expressions to perceive
were the straight silhouettes of their bodies, the unbroken sound of then- steps and her own feeling that
she wished to walk on and on, a feeling she could not define, except that it was neither doubt nor pain,
When they approached his cabin, Francisco stopped, the gesture of his hand embracing them both as he
pointed to his door. "Will you come in —since it's to be our last night together for some time? Let's have
a drink to that future of which all three of us are certain."
"Are we?" she asked.
"Yes," said Galt, "we are."
She looked at their faces when Francisco switched on the light in his house. She could not define their
expressions, it was not happiness or any emotion pertaining to joy, their faces were taut and solemn, but
it was a glowing solemnity—she thought—if this were possible, and the odd glow she felt within her, told
her that her own face had the same look.
Francisco reached for three glasses from a cupboard, but stopped, as at a sudden thought. He placed
one glass on the table, then reached for the two silver goblets of Sebastian d'Anconia and placed them
beside it.
"Are you going straight to New York, Dagny?" he asked, in the calm, unstrained tone of a host, bringing
out a bottle of old wine, "Yes," she answered as calmly.
"I'm flying to Buenos Aires day after tomorrow," he said, uncorking the bottle. "I'm not sure whether I'll
be back in New York later, but if I am, it will be dangerous for you to see me."
"I won't care about that," she said, "unless you feel that I'm not entitled to see you any longer."
"True, Dagny. You're not. Not in New York."
He was pouring the wine and he glanced up at Galt. "John, when will you decide whether you're going
back or staying here?"
Galt looked straight at him, then said slowly, in the tone of a man who knows all the consequences of his
words, "I have decided, Francisco. I'm going back."
Francisco's hand stopped. For a long moment, he was seeing nothing but Galt's face. Then his eyes
moved to hers. He put the bottle down and he did not step back, but it was as if his glance drew back to
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