brought them out of the cave and up to this?" He pointed at the city.
"God, no!"
"Then there's your proof that another kind of men do exist."
"Yes," she said avidly. "Yes."
"Think of them and forget your Board of Directors."
"Francisco, where are they now—the other kind of men?"
"Now they're not wanted."
"I want them. Oh God, how I want them!"
"When you do, you'll find them."
He did not question her about the John Galt Line and she did not speak of it, until they sat at a table in a
dimly lighted booth and she saw the stem of a glass between her fingers. She had barely noticed how
they had come here. It was a quiet, costly place that looked like a secret retreat; she saw a small,
lustrous table under her hand, the leather of a circular seat behind her shoulders, and a niche of dark blue
mirror that cut them off from the sight of whatever enjoyment or pain others had come here to hide.
Francisco was leaning against the table, watching her, and she felt as if she were leaning against the
steady attentiveness of his eyes.
They did not speak of the Line, but she said suddenly, looking down at the liquid in her glass: "I'm
thinking of the night when Nat Taggart was told that he had to abandon the bridge he was building. The
bridge across the Mississippi. He had been desperately short of money—because people were afraid of
the bridge, they called it an impractical venture. That morning, he was told that the river steamboat
concerns had filed suit against him, demanding that his bridge be destroyed as a threat to the public
welfare. There were three spans of the bridge built, advancing across the river. That same day, a local
mob attacked the structure and set fire to the wooden scaffolding. His workers deserted him, some
because they were scared, some because they were bribed by the steamboat people, and most of them
because he had had no money to pay them for weeks. Throughout that day, he kept receiving word that
men who had subscribed to buy the stock of the Taggart Transcontinental Railroad were cancelling their
subscriptions, one after another. Toward evening, a committee, representing two banks that were his last
hope of support, came to see him. It was right there, on the construction site by the river, in the old
railway coach where he lived, with the door open to the view of the blackened ruin, with the wooden
remnants still smoking over the twisted steel. He had negotiated a loan from those banks, but the contract
had not been signed. The committee told him that he would have to give up his bridge, because he was
certain to lose the suit, and the bridge would be ordered torn down by the time he completed it. If he was
willing to give it up, they said, and to ferry his passengers across the river on barges, as other railroads
were doing, the contract would stand and he would get the money to continue his line west on the other
shore; if not, then the loan was off. What was his answer?—they asked. He did not say a word, he
picked up the contract, tore it across, handed it to them and walked out. He walked to the bridge, along
the spans, down to the last girder. He knelt, he picked up the tools his men had left and he started to
clear the charred wreckage away from the steel structure. His chief engineer saw him there, axe in hand,
alone over the wide river, with the sun setting behind him in that west where his line was to go. He
worked there all night. By morning, he had thought out a plan of what he would do to find the right men,
the men of independent judgment—to find them, to convince them, to raise the money, to continue the
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