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Aishwarya Rai Bachchan’s look on this magazine cover is proof that candy stripes will always rule the world
By: Lifestyle Desk | New Delhi | Updated: August 3, 2018 9:20:59 am

Aishwarya Rai Bachchan has an inimitable style and oozes grace almost each time she steps out for an event. Not only did she make heads turn at Cannes this year, she managed to steal hearts with her casual and chic street style wear too.

It was no different when the 44-year-old diva featured on the cover of Brides Today magazine. Wearing a Ralph and Russo dress, the Fanney Khan actor completely owned the space. The multicoloured dress was teamed with a statement neckpiece and matching bracelet from Amaris Jewels by Prerna Rajpal. Photographed by Tibi Clenci, the actor completely slayed the look.
The actor, who was at Paris Fashion Week recently looked gorgeous in a Nedo by Nedret Taciroglu ensemble. The off-shoulder embellished gown had beads on it. Styled by Aastha Sharma, the gown was teamed with a Longines watch and a pair of black heels. While make-up artist Charlotte Willer went for a dewy sheen with glossy lips, the actor’s hair was styled in soft waves by hairstylist Stephan Lancien.
The actor not only carries gowns with elan, she does the same when it comes to traditional attires. Her sartorial choices have almost always been impressive and it is always a delight to see her at a public event.


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The Chinese piano prodigy takes no prisoners. She embraces Brahms and Beethoven as fiercely as she defends her right to wear what she likes

‘It’s about power and persuasion’ … Yuja Wang.

There are two Yuja Wangs. Or so you might think. One is the young Chinese pianist whose virtuosity and musical intelligence place her in the top echelon of performers. The other is an elfin, spiky-haired fashionista courted by Armani and Rolex, who has a zany wit and delights in appearing before concert audiences in itsy bitsy dresses and five-inch heels. This split identity is not of her making. Young classical artists are loosening up, but Wang is on a different level of visual and aural adventure that still takes people aback.
“I want to relate all life to music,” she says, cross-legged on a sofa in a borrowed Paris apartment – home is New York – looking calm, serious and slightly sleepy. Dressed in tight, cropped yoga pants and skinny vest she looks no different to the people thronging the Left Bank outside in the sun.
“I’m interested in looking good, but fashion bores me as much as checking for updates on my phone,” she says with a yawn, downing an espresso. “Rather than following textbook behaviour and doing what classical musicians have always done…” She stops mid-sentence to shape her thoughts, then giggles explosively. “This is all philosophical bullshit! I need to sleep first. I feel like a zombie.”
Wang was in Florence the night before, out late “having a few drinks”. Her current European tour covers more than a dozen cities, including London, where she gives her Royal Festival Hall solo-recital debut in the International Piano Series on 11 April. The programme consists of two monumental works: Chopin’s 24 Preludes and Brahms’s Variations and Fugue on a Theme by Handel. Schubert is also on the schedule.