Қарши давлат университети ҳузуридаги илмий даражалар берувчи phD

The problem of artistic psychologies in tetralogy. Each period is one of the principles that play an important role in literary life. For, in the essence of art, only if the dominant (leading) features of the psychological image are seriously worked out, it will be loved and read in our literary life for a long time. A number of scientific studies are now being carried out to redevelop the human spiritual being, to identify aspects of it that are unknown to science. Especially in a historical play, this principle is interpreted differently.
«It can be seen that Jahangir Mirza illuminated his psyche with special artistic qualities. For example, in the scene of Jahangir Mirza's oppression by the enemy, he valiantly stood before the great Sahibkiran and listened to the «prayers» of Mir Sayyid Baraka, a great scholar.
Ahiy Jabbor looked at the prince's face and saw that he was suffering from his anguish. He was embarrassed to see her condition and to ask her how she was.
«If I could, Prince, I would take care of you».
Jahongir Mirzo was silent. Ahiy Jabbor wanted to calm him down, put him to sleep and return to his hut. Following the messenger, Mir Sayyid Baraka, with a rosary in his hand. He knelt beside the prince and began to pray in a whisper”⁵⁰.
In the tetralogy, based on this dialogue, the writer depicts the princely will of the protagonist Jahangir Mirza in beautiful lines, and clarifies the actions of the betrayed Amir Hussein. The fact that he showed the teachings of Sahibkiran, who was the banner of justice in the world, and what he was doing, means that he was devoted to high courage. However, as they say, Amir Hussein's actions are self-inflicted. He died at the sword of Amir Muayyad, a loyal commander. At this point, Jahangir Mirza's health will be restored. He realizes that he has crushed the enemy.
In the analysis of this chapter, it is necessary to list some aspects of the human psyche:
1) Jahangir Mirza characterizes as a commander, a lover and a child;
2) The attitude of Sahibkiran Amir Temur to his son-in-law, the dream of a true father and mother, develops very carefully in the psyche of the writer;
3) Radical changes in the psyche of Saraymulkhanum: adaptation to the contradictions of life, patience, inner feelings in the female psyche have a special place in the reality of tetralogy as a symbol of the greatest devotion to the faithful spouse and support Amir Temur;
4) Extensive struggles, losses, sufferings for the protection of the world and man in the psyche of Sahibkiran have a special place in the subject of the work;
The writer was able to master the listed aspects with high skill. With the exception of some passages, the integrity of poetic skill and psychological interpretation in tetralogy emerged in a peculiar way.
In the first volume of the second chapter, entitled «Poetic features of tetralogy», «Historical truth as the first basis in the creation of the subject» is done. «The subject should not be confused with the idea», he said. If the subject is a series of events in the work, the idea is a logical conclusion, a call and a call arising from this event. For example, while creating a picture of a terrible war, in which the battles, struggles, hardships, failures and victories form the subject of the story, hatred, admiration and love for these horrors, peace, patriotism, courage and bravery are his ideas. So both the character and the idea come directly from the subject”⁵¹. The logical connection between the author's four books, Jahongir Mirzo and Umarshaykh Mirzo, Miranshakh Mirzo and Shokhrukh Mirzo and the work's unique subject lines were evident. The first volume deals with the fact that Piru Murshid Mir Sayyid Baraka awarded Amir Temur the great and honorable title of «Sakhibkiran». In the reality of the subject, the writer captures Jahangir Mirza with a special love. Such image layers make both the lover and the lover bond more attractive to the reader. The culmination of the novel-epopee is the moment when Mrs. Khanzoda tears her eyes and shows her to her beloved loyalist:
«Here is your son, your beloved son Muhammad Sultan» - Kutlug Turkon showed Jahongir Mirzo carrying a baby wrapped in white silk.
«They came to visit Father Buzrukvori...»
The words of the prince crossed her mind: «Your son, whom they have been waiting for ...»
The prince tried to smile, but could not....⁵²
In this way, the writer re-perceives the historical reality, painfully depicts that the fiery love of Jahangir Mirzo and Mrs. Khanzoda now lives only in their memories, in their souls. The death of Jahangir Mirza also shakes the indomitable will, the invincible hero Ahi Jabbor. While Amir Temur was trying to win the battle, in the depths of his heart, the sweet taste of his son and grandson was beating. The dominance of the verdict of separation and loneliness left a strong mark on Sahibkiran's heart. The ending of the first volume in this way paved the way for a more complex form of the subject. Therefore, “in the subject of the novel, the love between Jahongir Mirzo and Sevinbika-Khonzoda from Khorezm is the main thing, and this obstacle attracts the reader's attention. The first obstacle was Amir Hussein's sending suitors to ask his son Sevinbika from Khorezm. That is why he took an active part in the attack of the emirs on Balkh, the fortress of Amir Hussein under the leadership of his father Temurbek⁵³” wrote Professor D.Turaev. This aspect alone proves that in the poetic system of the work the character of Jahangir Mirzo is very beautiful and deeply perceived. He was forced to make a truce because of a five-day march to Khorezm, which eventually ended with Sevinbika as a bride.
Scientist Matyokub Kushjanov, emphasizing that the heroes of the work are important factor in the creation and development of the subject, «Every event has its own heroes, because of which we can fully imagine the life of that period»⁵⁴. Indeed, the first volume of the tetralogy in the novel «Jahongir Mirzo» served as a key to the further development of creative intent for the writer, and on the other hand laid a great foundation for the development of the logical connection of the second and third realities.
As Islamjon Yakubov, a well-known literary critic who studied the concept of the historical process in Muhammad Ali's work, rightly pointed out, «the subject used in the novel helped to reveal a number of cases related to the protagonist's activity in the image»⁵⁵.
In fiction, verbal communication is also manifested in the form of psychologically tense reality. Speech in the play has a special significance in the following forms:
a) Narration; b) dream; v) letter; g) dialogue.
The integrity of the artistic texture and imagery presented in the play in the form of dreams and letters is the product of the writer’s creative work. The wonderful images in the book «Shohrukh Mirzo», in the letters of Claviho, a guest at the palace of Amir Temur, in his speech - the letters were written with great taste and deep respect. In the form of the author's narration, the legends of the saints, kings and generals (about Herat) are important in making the subject more interesting with its narration. In the eighth chapter of the work, the author focuses on this quality (image). The forms of speech that rhythmically demonstrate the subject and composition of the work created a great basis for the transformation of the writer's creative intention into an artistic whole. This chapter discusses in detail Muhammad Ali's use of lyre-romantic imagery in contrast to historical reality in the creation of the subject, reworking the subject based on the subject of the work of art in the form of a complex subject. It is also pointed out in the first and second volumes of the tetralogy that some details in the subject led to the artificialization of historical reality.
The second volume of this chapter, entitled «Writing skills in the creation of composition» explores the artistic research of Muhammad Ali as a writer, the skill of how to organize the composition, the individual style of the emergence of elements outside the subject. It is well known that the architecture of a work of art emerges in composition. The artistic means outside the subject are such that the writer ensures the perfection of his creative intention, that is, literary patterns that are logically connected to each other direct the writer to the realization of a philosophical aesthetic idea.