A thousand Splendid Suns

It's oil I have to give her, Mariam had said to Laila, this knowledge, these prayers. They're the only true possession I've ever had.

Zalmai came into the room now. As Rasheed watched with anticipation, the way people wait the simple tricks of street magicians, Zalmai pulled on the TV's wire, pushed the buttons, pressed his palms to the blank screen. When he lifted them, the condensed little palms faded from the glass. Rasheed smiled with pride, watched as Zalmai kept pressing his palms and lifting them, over and over.

The Taliban had banned television. Videotapes had been gouged publicly, the tapes ripped out and strung on fence posts. Satellite dishes had been hung from lampposts. But Rasheed said just because things were banned didn't mean you couldn't find them.

"I'll start looking for some cartoon videos tomorrow," he said. "It won't be hard. You can buy anything in underground bazaars."

"Then maybe you'll buy us a new well," Laila said, and this won her a scornful gaze from him.

It was later, after another dinner of plain white rice had been consumed and tea forgone again on account of the drought, after Rasheed had smoked a cigarette, that he told Laila about his decision.

"No," Laila said.

He said he wasn't asking.

"I don't care if you are or not."

"You would if you knew the full story."

He said he had borrowed from more friends than he let on, that the money from the shop alone was no longer enough to sustain the five of them. "I didn't tell you earlier to spare you the worrying."

"Besides," he said, "you'd be surprised how much they can bring in."

Laila said no again. They were in the living room. Mariam and the children were in the kitchen. Laila could hear the clatter of dishes, Zalmai's high-pitched laugh, Aziza saying something to Mariam in her steady, reasonable voice.

"There will be others like her, younger even," Rasheed said. "Everyone in Kabul is doing the same."

Laila told him she didn't care what other people did with their children.

"I'll keep a close eye on her," Rasheed said, less patiently now. "It's a safe corner. There's a mosque across the street."

"I won't let you turn my daughter into a street beggar!" Laila snapped.

The slap made a loud smacking sound, the palm of his thick-fingered hand connecting squarely with the meat of Laila's cheek. It made her head whip around. It silenced the noises from the kitchen. For a moment, the house was perfectly quiet. Then a flurry of hurried footsteps in the hallway before Mariam and the children were in the living room, their eyes shifting from her to Rasheed and back.

Then Laila punched him.

It was the first time she'd struck anybody, discounting the playful punches she and Tariq used to trade. But those had been open-fisted, more pats than punches, self-consciously friendly, comfortable expressions of anxieties that were both perplexing and thrilling. They would aim for the muscle that Tariq, in a professorial voice, called the deltoid.

Laila watched the arch of her closed fist, slicing through the air, felt the crinkle of Rasheed's stubbly, coarse skin under her knuckles. It made a sound like dropping a rice bag to the floor. She hit him hard. The impact actually made him stagger two steps backward.

From the other side of the room, a gasp, a yelp, and a scream. Laila didn't know who had made which noise. At the moment, she was too astounded to notice or care, waiting for her mind to catch up with what her hand had done. When it did, she believed she might have smiled. She might have grinned when, to her astonishment, Rasheed calmly walked out of the room.

Suddenly, it seemed to Laila that the collective hardships of their lives – hers, Aziza's, Mariam's – simply dropped away, vaporized like Zalmai's palms from the TV screen. It seemed worthwhile, if absurdly so, to have endured all they'd endured for this one crowning moment, for this act of defiance that would end the suffering of all indignities.

Laila did not notice that Rasheed was back in the room. Until his hand was around her throat. Until she was lifted off her feet and slammed against the wall.

Up close, his sneering face seemed impossibly large. Laila noticed how much puffier it was getting with age, how many more broken vessels charted tiny paths on his nose. Rasheed didn't say anything. And, really, what could be said, what needed saying, when you'd shoved the barrel of your gun into your wife's mouth?
IT WAS THE RAIDS, the reason they were in the yard digging. Sometimes monthly raids, sometimes weekly. Of late, almost daily. Mostly, the Taliban confiscated stuff, gave a kick to someone's rear, whacked the back of a head or two. But sometimes there were public beatings, lashings of soles and palms.

"Gently," Mariam said now, her knees over the edge. They lowered the TV into the hole by each clutching one end of the plastic sheet in which it was wrapped

"That should do it," Mariam said.

They patted the dirt when they were done, filling the hole up again. They tossed some of it around so it wouldn't look conspicuous.

"There," Mariam said, wiping her hands on her dress.

When it was safer, they'd agreed, when the Taliban cut down on their raids, in a month or two or six, or maybe longer, they would dig the TV up.

IN LAILA'S DREAM, she and Mariam are out behind the toolshed digging again. But, this time, it's Aziza they're lowering into the ground. Aziza's breath fogs the sheet of plastic in which they have wrapped her. Laila sees her panicked eyes, the whiteness of her palms as they slap and push against the sheet. Aziza pleads. Laila can't hear her screams. Only for a while, she calls down, it's only for a while. It's the raids, don't you know, my love? When the raids are over, Mammy and Khala Mariam will dig you out. I promise, my love. Then we can play. We can play all you want. She fills the shovel. Laila woke up, out of breath, with a taste of soil in her mouth, when the first granular lumps of dirt hit the plastic.

41.

Mariam
In the summer of 2000, the drought reached its third and worst year.

In Helmand, Zabol, Kandahar, villages turned into herds of nomadic communities, always moving, searching for water and green pastures for their livestock. When they found neither, when their goats and sheep and cows died off, they came to Kabul. They took to the Kareh-Ariana hillside, living in makeshift slums, packed in huts, fifteen or twenty at a time.

That was also the summer of Titanic, the summer that Mariam and Aziza were a tangle of limbs, rolling and giggling, Aziza insisting she get to be Jack.

"Quiet, Aziza jo."

"Jack! Say my name, Khala Mariam. Say it. Jack!"

"Your father will be angry if you wake him."

"Jack! And you're Rose."

It would end with Mariam on her back, surrendering, agreeing again to be Rose. "Fine, you be Jack," she relented "You die young, and I get to live to a ripe old age."

"Yes, but I die a hero," said Aziza, "while you, Rose, you spend your entire, miserable life longing for me." Then, straddling Mariam's chest, she'd announce, "Now we must kiss!" Mariam whipped her head side to side, and Aziza, delighted with her own scandalous behavior, cackled through puckered lips.

Sometimes Zalmai would saunter in and watch this game. What did he get to be, he asked.

"You can be the iceberg," said Aziza.

That summer, Titanic fever gripped Kabul. People smuggled pirated copies of the film from Pakistan – sometimes in their underwear. After curfew, everyone locked their doors, turned out the lights, turned down the volume, and reaped tears for Jack and Rose and the passengers of the doomed ship. If there was electrical power, Mariam, Laila, and the children watched it too. A dozen times or more, they unearthed the TV from behind the toolshed, late at night, with the lights out and quilts pinned over the windows.

At the Kabul River, vendors moved into the parched riverbed. Soon, from the river's sunbaked hollows, it was possible to buy Titanic carpets, and Titanic cloth, from bolts arranged in wheelbarrows. There was Titanic deodorant, Titanic toothpaste, Titanic perfume, Titanic pakora, even Titanic burqas. A particularly persistent beggar began calling himself "Titanic Beggar."

" Titanic City " was born.