today we find it in the works of reputable writers as a word that fittingly suggests the
qualities of a vulgar brawl.
Boom, slump, crank,
and
fad,
in becoming respectable, have
acquired an exact and sometimes technical meaning. Even the harmless word
joke
was
once slang.
In surveying contemporary English, not only do we have to consider the slang that has
lifted itself into the level of educated speech but we must recognize the part played by
slang in its own character. For there is hardly a person who does
not make use of it upon
occasion. Slang results from an instinctive desire for freshness and novelty of expression.
Naturally the less a person is inclined to submit to the restraints imposed by a formal
standard, the more ready he or she is to accept indiscriminately the newest slang locution.
To criticize
seems to the person in the street tame and colorless, if not stilted, so
to bad-
mouth
is substituted. For the same reason a person who fails to keep an engagement with
another person
stands him up
. Since novelty is a quality that soon wears off, slang has to
be constantly renewed.
Vamoose, skedaddle, twenty-three skiddoo, beat it, scram, buzz
off
have all had their periods of popularity in the twentieth century as expressions of
roughly the same idea, usually in imperative form. It can hardly be denied that some
slang expressions, while they are current, express an idea that it would be difftcult to
convey by other means.
Nerd, geek, dweeb, dork, bimbo,
and
scumbag
undoubtedly owe
their popularity to some merit that is recognized by a sure instinct among the people. It is
sometimes difficult to define the precise quality that makes an expression slang. It is
often not in the word itself, but in the sense in which it is used.
Put down
is proper
enough if we speak of soldiers
who put down a rebellion, but it is slang when we speak of
a remark that
put someone down
or refer to the remark as a
put-down
.
It is dangerous to generalize about the relative prominence of slang in this and former
times. But it would seem as though the role it plays today is greater than it has been at
certain times in the past, say in the Elizabethan
age or the eighteenth century, to judge by
the conversation of plays and popular fiction. The cultivation of slang has become a
feature of certain types of popular writing. We think of men like George Ade, who wrote
Fables in Slang,
or Ring Lardner or O.Henry. They are not only the creators of locutions
that have become part of the slang of the day, but they have popularized
this outer fringe
of the colloquial and given it greater currency. It would certainly be an incomplete
picture of the language of today that failed to include slang as a present feature and a
source from which English will doubtless continue to be fed in the future.
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