4. Symbols of the Sublime: The Sea and the White Whale

The list of used literature

1. 
   Baker, Jennifer J. (2011). „Dead Bones and Honest Wonders: The Aesthetics of Natural Science in Moby-Dick.‟ In: Melville and Aesthetics, ed. Samuel Otter and Geoffrey Sanborn. New York: Palgrave Macmillan.
   
2. 
   Baldick, Chris (2001). The Concise Oxford Dictionary of Literary Terms.
   

Oxford: Oxford University Press.

3. 
   Battersby, Christine (2007). The Sublime, Terror and Human Difference. London and New York: Routledge.
   
4. 
   Brady, Emily (2012). „The Environmental Sublime.‟ In: The Sublime. From Antiquity to the Present, ed. Timothy M. Costelloe. New York: Cambridge University Press.
   
5. 
   Brodhead, Richard (1973). Hawthorne, Melville, and the Novel. Chicago: University of Chicago Press.
   
6. 
   Buell, Lawrence (2014). The Dream of the Great American Novel.
   

Cambridge: Harvard University Press.

7. 
   Burnham, Douglas (2000). An Introduction to Kant‟s Critique of Judgment. Edinburgh: Edinburgh University Press.
   

8. Burke, Edmund (2005). „A Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful.‟ In: The Works of the Right Honourable Edmund Burke, Vol. 1, pp.67-263. Accessed: 27 July 2015
9. Callahan, Aileen (2003). „Eye to Eye: Painting White Whale: Moby Dick I.‟ In: Leviathan: A Journal of Melville Studies, Vol. 5, No. 1, pp. 52-57.
10. Cook, Jonathan A. (2012). Inscrutable Malice: Theodicy, Eschatology, and the Biblical Sources of „Moby-Dick‟. DeKalb: Northern Illinois University Press.
11. Coleridge, Samuel T. (1997). Biographia Literaria, ed. Nigel Leask. London: J. M. Dent and Sons Ltd.
Crawford, Donald W. (1974). Kant‟s Aesthetic Theory. Madison: University of Wisconsin Press.
12. Downard, Jeffrey (2006). „The Color of the Sublime is White.‟ In: Contemporary Aesthetics, Vol. 4. Castine: Contemporary Aesthetics.
13. Friedman, Maurice (1970). Problematic Rebel: Melville, Dostoievsky, Kafka, Camus. Chicago and London: The University of Chicago Press.
14. Gasché, Rodolphe (2012). „…And the Beautiful? Revisiting Edmund Burke‟s “Double Aesthetics.”‟ In: The Sublime: From Antiquity to the Present, ed. Timothy M. Costelloe. New York: Cambridge University Press.
15. Glenn, Barbara (2001). „Melville and the Sublime in Moby-Dick.‟ In: Herman Melville Critical Assessments, Vol. 2, ed. A. Robert Lee. Mountfield: Helm Information Ltd.
16. Gretchko, John M. (1991). „The White Mountains, Thomas Cole, and “Tartarus”: The Sublime, the Subliminal, and the Subliminated.‟ In: Savage Eye: Melville and the Visual Arts, ed. Christopher Sten. Kent: The Kent State University Press.
17. Guyer, Paul (2012). „The German Sublime After Kant.‟ In: The Sublime. From Antiquity to the Present, ed. Timothy M. Costelloe. New York: Cambridge University Press.
28. Hamilton, Paul (1983).Coleridge‟s Poetics. Oxford: Blackwell.